Kubo and the Two Strings
Kubo and The Two Strings
Early Saito-inspired concept art by texture artist Dan Casey
Later concepts by texture artist Dan Casey
This film's visual influences delved into lots of Japanese art including origami and its paper-cutting variation kirigami, ink wash painting, Noh theatre and ukiyo-e (‘pictures of the floating world’), an art form most identified with classical Japanese woodblock prints such as Katsushika Hokusai’s 'The Great Wave'.
Katsushika Hokusai- The Great Wave off Kanagawa
Kubo was inspired by the work of Japanese artist Kiyoshi Saito [1907-1997], who was trained in traditional Japanese block printing. One piece particularly 'Village With Persimmon Tree' which organises nature into distinctive shapes and beautiful textures within those shapes. These textures and colours were used to represent detail in order to illustrate the world of Kubo, from rivers to mountains to distant wheat fields. Studying Saito's stylized approach to illustrating both natural and architectural subjects helped create this art style. I like the art style they have used throughout this film, using the woodblock like texture across most of the surfaces to imply detail gives the film a slightly grainy look.
Kiyoshi Saito- Village With Persimmon Tree